One crucial element of our own secret motivations is the concept of “the Dream”. This concept applies equally to acting theory, to advertising, and to real life.
Among the many scene analysis and preparation questions that the Acting Studio Chicago indoctrinates into its students is: “what is my (i.e. the character’s) dream, and what can I do to my partner to make this dream come true today?” Every person has a dream for themselves: a secret ideal that is usually impractical but theoretically attainable. These dreams are usually irrational, and at times conflicted, vague and possibly even self-defeating. Most people cannot articulate their dream; it remains stuffed away in the sub-conscious mind. But regardless of how conscious we are of our dreams or how nebulous they might be, we always act to further them.
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